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Top 10 Biography Films PDF Print E-mail
Written by Trent Daniel   
Thursday, 20 August 2009 18:34
Article Index
Top 10 Biography Films
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In my recent review of Milk, I admitted that biographies are not my favorite film genre, primarily for two reasons: 1) the story is already written, which can often hamper the artist in telling the story and 2) there is often a tendency for film biographies to fall too much in love with its subject, which can lead the film down a path of worship and away from perhaps telling the true story and/or from presenting the real subjectís flaws as well as his or her triumphs (which I felt was the case with Milk).

In making my Top 10, I noticed that my list was eclectic, that it included low level gangsters, failed musicians and file clerks alongside queens, emperors and generals. It does not focus solely on those who reached noble heights, but focuses as well on some people of dubious character who did not always succeed. However, I feel that each of these films is honest toward their subjects, showing their flaws as well as their triumphs. Furthermore, each works as a film, telling their stories in innovative, original and striking ways.
Goodfellas (Martin Scorcese, 1991)

Though known more as a ìmob movie,î Scorceseís masterpiece is actually a biography, a dazzling account (clearly influential on the TV classic ìThe Sopranosî) of the real life Henry Hill, a poor Irish-American kid who worked his way up through a New York crime family until he had no more soul to sell. The film is full of electric acting, particularly by Joe Pesci (ìAm I a clown? Do I amuse you?î), classic scenes (the long tracking shot through the restaurant; Tommyís death) and a perfectly chosen selection of oldies and classic rock songs to mesh with the proceedings. A great film.

Patton (Franklin J. Schaffner, 1970)

In simply one of the greatest performances in film history, George C. Scott is Patton, the brilliant, but irascible (not to mention borderline crazy) General who played a vital role in the Allies securing the European front from the Nazis in WW2. Like a great biography should, the film captures Pattonís flaws, which only serve to highlight his brilliance (he was a soldier that the Nazis truly feared and respected). The high point of the film (and one of the truly great scenes ever): Patton looks over the gruesome tragic remains of a recent battle and confesses: ìI love it. May God help me, I do love it so.î

Lawrence of Arabia (David Lean, 1962)


One of the seminal films in history, with a style that was hugely influential on future great filmmakers, from Kubrick to Spielberg to Coppola. The film tells the story of the strange, likely homosexual British soldier T.E. Lawrence, who united the various tribes of Saudi Arabia to support the British Empire against the Turks. It daringly operates often as a silent film, letting its breathtaking visuals tell the story (most notably in the way it captures the fearsome yet beautiful emptiness of the desert, with human figures sometimes appearing as a mere speck on the horizon). Just as valuable, it does not make the mistake of ìlovingî its subject too much, but instead seems to keep a distance from him and analyze him, showing his flaws as well as his successes. A must for film buffs.



Last Updated on Thursday, 27 August 2009 17:57
 

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